I’ve been feeling a little low and unattractive as of late, and knew a new haircut was just the thing. What I didn’t expect was for two bookish gentlemen and Vito Acconci would pull me out of a slump first.
Because my hair stylist is always running behind, I stepped into Spoonbill on a drizzly Wednesday night. I wandered around until I saw Acconci’s name on a thick tome hiding behind a bookshelf.
Vito Acconci is one of my favorite poets and artists. He was part of the second generation of the New York school in the 60s and wrote conceptual poetry before moving on to installations and architecture. He does everything, really, and you can see architecture in the structure of his poems. I first noticed him at a PS 1 show chronicalling the history of video art. There was an entire room devoted to Acconci’s work on dozens of video screens. His pieces were so compelling to me and stuck with me for years. Anytime I see his name on any kind of book I snap it up.
This book was the collected issues of 0 to 9, a literary magazine Acconci published with Bernadette Mayer. I flipped through it feverishly, finding some of Acconci’s poems amid Clark Coolidge, Ron Padgett, Ted Berrigan, and Sol LeWitt’s. I knew this book had to come home with me that night.
I don’t know what is was about the way I walked up the cash register. Was I clutching the book tightly to my chest? Did I make a mad dash for the counter? One of two guys lounging behind the counter said, “We should give her a deal on this.”
“I’ll give it to you for 27, that’s 7 dollars off.”
“Is that one of the signed ones?” The man flipped through the book.
“Do you have signed copies,” I asked, hoping to look cool and disaffected but, honestly, I was jumping out of my socks.
“We do have a signed copy of the studio book. Did you see it?”
I shook my head.
“We can give it to you at a bargain basement price.”
He strode over and brought over a book of Acconci’s early poetry. He flipped to the first page and there was a loopy, sprawling signature dated in 2006.
“We’ll give it to you for 20. It was 75.”
When I walked out of Spoonbill into the soup of the evening, my arms around two purple plastic bags, I didn’t even notice the rain.