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Oct
20th
Tue
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whatshisface:

One of my favorite photos from my abandoned amusement park shoot.

This amusement park within 5 minutes walking distance away from my house closed down 4 years ago. Sunday was the first time I’ve been back since I was maybe fourteen. They auctioned off all their rides, but there’s still the old roller coaster, the old water slide, there’s still structures that look the same, look just as creepy as when we used to go on idle summer afternoons. I love how I look like a ghost here, kind of a visual allegory for the lack of permanence for things that seemed permanent not so long ago. Amazing photo, J-ro!

whatshisface:

One of my favorite photos from my abandoned amusement park shoot.

This amusement park within 5 minutes walking distance away from my house closed down 4 years ago. Sunday was the first time I’ve been back since I was maybe fourteen. They auctioned off all their rides, but there’s still the old roller coaster, the old water slide, there’s still structures that look the same, look just as creepy as when we used to go on idle summer afternoons. I love how I look like a ghost here, kind of a visual allegory for the lack of permanence for things that seemed permanent not so long ago. Amazing photo, J-ro!

Oct
8th
Thu
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My new favorite joke

What’s a honeymoon salad?

Lettuce alone! Ha!

Jul
24th
Fri
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musings on the kindness of strangers

I’ve been feeling a little low and unattractive as of late, and knew a new haircut was just the thing. What I didn’t expect was for two bookish gentlemen and Vito Acconci would pull me out of a slump first.

Because my hair stylist is always running behind, I stepped into Spoonbill on a drizzly Wednesday night. I wandered around until I saw Acconci’s name on a thick tome hiding behind a bookshelf.

Vito Acconci is one of my favorite poets and artists. He was part of the second generation of the New York school in the 60s and wrote conceptual poetry before moving on to installations and architecture. He does everything, really, and you can see architecture in the structure of his poems. I first noticed him at a PS 1 show chronicalling the history of video art. There was an entire room devoted to Acconci’s work on dozens of video screens. His pieces were so compelling to me and stuck with me for years. Anytime I see his name on any kind of book I snap it up.

This book was the collected issues of 0 to 9, a literary magazine Acconci published with Bernadette Mayer. I flipped through it feverishly, finding some of Acconci’s poems amid Clark Coolidge, Ron Padgett, Ted Berrigan, and Sol LeWitt’s. I knew this book had to come home with me that night.

I don’t know what is was about the way I walked up the cash register. Was I clutching the book tightly to my chest? Did I make a mad dash for the counter? One of two guys lounging behind the counter said, “We should give her a deal on this.”

“I’ll give it to you for 27, that’s 7 dollars off.”

“Is that one of the signed ones?” The man flipped through the book.

“Do you have signed copies,” I asked, hoping to look cool and disaffected but, honestly, I was jumping out of my socks.

“We do have a signed copy of the studio book. Did you see it?”

I shook my head.

“We can give it to you at a bargain basement price.”

He strode over and brought over a book of Acconci’s early poetry. He flipped to the first page and there was a loopy, sprawling signature dated in 2006.

“We’ll give it to you for 20. It was 75.”

When I walked out of Spoonbill into the soup of the evening, my arms around two purple plastic bags, I didn’t even notice the rain.

Jun
26th
Fri
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Favorite new band alert: Screaming Females. If Bruce Dickinson, Ian Curtis and Corin Tucker all had a baby together, it would be this Miss. They opened for Dinosaur Jr. last night and melted my face off.

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Some memories

First grade. Art class. Becky Resser and I draw pictures of a Michael Jackson concert. She has a crush on him, so I follow suit. He’s my first crush, followed swiftly by Kevin Bacon in Footloose and Steven Simoni. My picture is a black oval with a red jacket in a sea of faces and stick arms.

Second grade. The guidance counselor visits our class bi-weekly. She spends most of the time talking about warm fuzzies and cold pricklies. In one class, she plays Man in Mirror while passing around a wrapped package. We each take off the top in turn and look inside. It’s, of course, a mirror. She says this is the best gift we can give ourselves, to look into the mirror and like ourselves. Later, in the backseat of our blue station wagon, my brother and I sing Man in the Mirror over and over again.

Fourth or fifth grade or sixth grade, my best friend and I spend weekends in her basement watching MTV. She closes her eyes and holds my hand every time the Thriller video comes on. She is afraid of dead people.

A couple years ago painting Karell’s new apartment, we find records in her closet. We find Off the Wall and Thriller. I take them home and stumble upon my childhood every time I put them on. My sister and I drink Sparks and dance to Beat It in my narrow hallway to get ready to go to Royal Oak most Saturday nights. When we used to go out.

Right now, listening to the BBC’s World Have Your Say. People from Saudi Arabia, India, Turkey, Antarctica, Kenya, everywhere are calling in with memories like these. Chuck D is calling in. It’s like Neda wasn’t killed last weekend. The South Carolina governor never went to Argentina. The Health Care Crisis halted. There are no insurgents in Iraq.

This morning, I ask my boyfriend what Michael Jackson wanted his legacy to be.
“I think it’s pretty clear,” he says. “He was the King of Pop.”
“No,” I say. “That’s what his legacy is. What do you think he wanted it to be?”

Jun
11th
Thu
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The problem with being a voracious reader and library lover in New York..

is that everyone else is one, too.

In the New Yorker this week (the summer fiction issue!) there’s a great article about the legend of a Polish author, Bruno Schulz. Schulz isn’t widely read here, so it’s no surprise that there’s only one copy of his collected fiction in the New York Public Library. What is surprising is 25 people before me have already requested this single copy.

I currently have seven books on my hold list. I gradually moved to seventeen (out of eighty-five) on Mary Gaitskill’s new book, which I requested in March. I am number 125 out of 365 people waiting for Colm Tolbin’s new book. Joining mailing lists for literary prizes is a must. If you don’t request the latest Booker Prize winner within minutes of the announcement, good luck getting the book in your hands for six months!

I don’t mind terribly, though. Dos Passos’ USA Trilogy came pretty quickly, as did a collection of Emerson’s essays. A Keynes’ biography came so fast, I didn’t have a chance to pick it up before it was gone again.

What I do mind right now is that the NYPL does not own a single copy of The Garrick Year by Margaret Drabble, which was also mentioned in the current New Yorker. I must get my paws on this book, even it means buying it on Amazon together with a Schulz collection, like suggested in their frequently bought together feature. Voracious readers: they’re everywhere.

Jun
3rd
Wed
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[Flash 9 is required to listen to audio.]

wowdemoblog:

This song is called “Making Love,” and it’s basically a guide about how to tell your kids, who are too young to understand, why they hear mommy and daddy’s bed creaking at night, or why they hear them making funny sounds.

I’m not a prude, but… EW. ew, ew, ew.

Don’t listen to this unless you’re prepared to throw up in your mouth a little.

May
27th
Wed
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brooklynbased:

Introducing @GreeneIceCream cart at The General Greene! Homemade flavors incl. burnt honey vanilla+coffee banana chip. M-Th3-11pm F-Su12-12

 We totally have to add this to our Hobo Summer food cart tour.

May
23rd
Sat
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Everyone bought real estate; and everyone was ‘a real estate man’ either in name or in practice…all were engaged now in this single interest and obsession. And there seemed to be only one rule, universal and infallible-to buy, always buy, to pay whatever price was asked, and to sell again within two days at any price one chose to fix. It was fantastic. Along all the streets in town the ownership of the land was constantly changing; and when the supply of streets was exhausted, new streets were feverishly created in the surrounding wilderness; and even before these streets were paved or a house had been built upon them, the land was being sold, and then resold, by the acre, by the lot, by the foot, for hundreds of thousands of dollars.

No, this isn’t commentary from a Planet Money podcast or the New Yorker about the real estate fever that led to our current depression. Thomas Wolfe wrote these words in his 1934 classic You Can’t Go Home Again. The above paragraph describes a small North Carolina town in late April/early May of 1929. The stock market crashed in October of that year.

History cycles and recycles. Even the earth has been resetting itself for billions of years.

The saying goes that people who don’t learn from the past are bound to repeat it. But that’s not true. People learn and adapt, but they don’t change what makes them intrinsically human, which is why stories endure.

May
22nd
Fri
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